Sing the Word

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Let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom, singing psalms and hymns and spiritual songs, with thankfulness in your hearts to God.

THE POWER OF A SONG

It was just over 100 years ago, in the early days of August 1914, that the War to End All Wars broke out and began to claim hundreds of thousands of killed, wounded, and missing soldiers. Four months later as the soldiers were firmly fixed in harrowing immovability of trench warfare, politicians and culture leaders were calling for a Christmas truce. Pope Benedict XV’s appeal for a cease-fire at Christmas made headlines, but was quickly rebuffed by both sides as “impossible.” The neutral US Senate urged for a twenty-day truce at Christmas “with the hope that the cessation of hostilities . . . may stimulate reflection upon the part of the nations [at war] as to the meaning and spirit of Christmas.” But the warring armies paid no attention to isolationist American and were content to keep on killing each other.

And so it was, to the everlasting astonishment of military history, that on the night of Christmas Eve one could find the Germans mingling with British, French, and Belgian soldiers – men they were trying to eliminate just hours earlier – in the middle of No Man’s Land; talking, exchanging gifts, and telling stories. The legendary Christmas Truce of 1914 came, not through the intervention of governments and petitions of well meaning leaders. Rather, is was the singing of an old gospel carol – “Silent Night” – that gave the entrenched foes a few hours of Christmas cheer and peace.

Nostalgic familiarity is what really brought those soldiers out of their trenches that Christmas Eve night, but we cannot dismiss how the event embodied the sheer power of a song.

Singing’s power is something the apostle Paul knew well, for in our text tonight we find him saying that singing how the power to let the gospel take up residence in a person’s heart.

SING COLOSSAE!

Colossians is a short letter that’s saturated with the supremacy of Christ. If you ever find your soul in need of a spark of spiritual power, read Paul’s letter to the church at Colossae. Here you will find some of the most exalted descriptions of Jesus, His gospel, and the Christian life.

Colossians 3 is one chapter I’d encourage every child of God memorize. In 3:1-4 Paul tells Christian they have been raised and seated with Christ in heaven. Therefore, 3:5-9 tells Christian to put off the old self of sin, and 3:10-17 tell us, as God’s chosen ones, to put on the new self. And Paul says singing plays a crucial role for our growth in Christ. If you wanted to sum up the truth of Colossians you might say: Singing has the power to put the gospel into your heart. If a song could bring peace to enemy troops in the Great War, just imagine what it can do for those united to Christ in faith.

SONGS TEACH

Before we look at one part of this glorious verse we need to get a sense of the whole. For there are a variety of different views (because of word placement and lack of punctuation in the manuscripts) on how the participles of teaching, admonishing, and singing relate to letting the word of Christ dwell in you richly. To make what could be a much longer – and fascinating! – discussion short, I think the NASB (the NIV is great too) gets the verse right when it says, “Let the word of Christ richly dwell within you, with all wisdom teaching and admonishing one another with psalms, hymns, and spiritual songs, singing with thankfulness in your hearts to God.” What do we teach and admonish with (this is what the ESV misses)? Psalms, hymns, and spiritual songs. So we need to view 3:16 as a single command that we can put this way: Let the word of Christ dwell in your hearts by teaching and admonishing one another with songs.

Songs thus have teaching and admonishing power. The reason we can be confident of this view on the translation of Colossians 3:16 is the near identical teaching Paul gives in Ephesians 5:18-19, “Be filled with the Spirit, addressing one another in psalms and hymns and spiritual songs, singing and making melody to the Lord with your heart.” Singing then is an overflow of a Spirit-filled heart and addresses fellow members with truth.

Incidentally, if you’ve ever wondered what the Spirit-filled life looks like I’d invite you to pay attention to Ephesians 5:18-21. For, over against what so many evangelicals say when they talk about being Spirit-filled, Paul says in those verses that a Spirit-filled life overflows in singing, thanksgiving, serving, and fearing God.

So if you take Colossians 3:16 and Ephesians 5:19, the twin towers of New Testament instruction on singing in the church, you get this powerful truth: “A Spirit-filled and word-saturated life is a singing life.

SING THE WORD INTO YOUR HEART

Paul says, “Let the word of Christ dwell in you richly.” The λόγος, the Word, has already been identified in Colossians 1 (1:5, 25) as the gospel. Paul said this gospel “has come to you, as indeed in the whole world it is bearing fruit and increasing,” and he later defined as this: “And you, who once were alienated and hostile in mind, doing evil deeds, he has now reconciled in his body of flesh by his death, in order to present you holy and blameless and above reproach before him.”

We must always remind ourselves of this gospel. The great apostle commands us to put it in our heart, to let is dwell in us richly. “Dwell in you richly” means the gospel is to have a beautifully permanent home in our hearts.”

When Emily and I bought our first house, the one we still live in, one of the great attractions of it to me was its study. There would be a room for my books; not that I had many at the time. When we moved we came with one bookshelf and I didn’t have enough books to fill it up. Yet, if you were to come over to our house now you’d find virtually the entire room lined with shelves overflowing with and a sagging under a bunch of books. Books have clearly made a home in my study. Their residence is permanent and growing.

That, Paul says, is how the gospel is to function our hearts. It makes a home there and the space it fills in our hearts ought to always be growing and made more beautiful.

Christian, you have believed the gospel, but can you articulate it clearly? Have you ever consider how some of the greatest songs of our faith are also among the greatest gospel teachers? Think about how this verse from “How Great Thou Art” helpfully describes the good news:

And when I think that God, his Son not sparing,
Sent him to die, I scarce can take it in,
That on the cross, my burden gladly bearing,
He bled and died to take away my sin.

Here then is one implication for the songs we sing: Our songs must preach the gospel. They must. If you were to examine the songs we sing each week you should be able to find gospel truth abounding all over the place. I have no interest in a song that doesn’t strike some note of the unsearchable riches of Christ. Just as you should long for preaching that preeminently exalts a crucified Christ, so too should you long for songs saturated with the good news. And respond with eager obedience! Harold Best is wise on this implication saying, “A congregation is just as responsible to sing the gospel as preachers are to preach it.”

This post is adapted from my recent sermon “Sing the Word.”

Redux: All Creatures of Our God and King

“All Creatures of our God and King” is one of my favorite hymns. I love St. Francis’ channeling of Psalms 148-150 to produce expansive doxologies, even calling death to praise God!

The rarely sung sixth verse says,

And thou most kind and gentle Death,
Waiting to hush our latest breath,
O praise Him! Alleluia!
Thou leadest home the child of God,
And Christ our Lord the way hath trod.
O praise Him! O praise Him!
Allelujah! Allelujah! Allelujah!

Now, that is good.

I have, however, always longed for new verses that more explicitly proclaimed God’s glory in Christ. Enter our Sovereign Grace friends “West Coast Revival”.

Last year the Baird brothers adapted St. Francis’ classic by adding two verses; verse three proclaims the gospel and verse four announces Christ’s return in glory. The next time your church does “All Creatures” consider using the following four verses. They’re fresh, true, and oh so necessary for the soul to sing.

VERSE 1
All creatures of our God and King
Lift up your voice and with us sing
O praise Him! Allelujah!
Thou, burning sun with golden beam
Thou, silver moon with softer gleam
O praise Him! O praise Him!
Allelujah! Allelujah! Allelujah!

VERSE 2
Let all things their Creator bless
And worship Him in humbleness
O praise Him! Allelujah!
Praise, praise the Father, praise the Son
And praise the Spirit, Three-in-One
O praise Him! O praise Him!
Allelujah! Allelujah! Allelujah!

VERSE 3
All the redeemed washed by His blood
Come and rejoice in His great love
O praise Him! Allelujah!
Christ has defeated every sin
Cast all your burdens now on Him
O praise Him! O praise Him!
Allelujah! Allelujah! Allelujah!

VERSE 4
He shall return in pow’r to reign
Heaven and earth will join to say
O praise Him! Allelujah!
Then who shall fall on bended knee?
All creatures of our God and King
O praise Him! O praise Him!
Allelujah! Allelujah! Allelujah!

© 2013 Sovereign Grace Worship (ASCAP) from All That Thrills My Soul
Lyrics by St. Francis of Assisi (Verses 1 & 2) and Jonathan Baird and Ryan Baird (Verses 3,4), Music by William Henry Draper, Adapted by Jonathan Baird and Ryan Baird

A Hymn to Sing on the Way to Heaven

Our churches needs psalms, hymns, and spiritual songs that speak to the full range of human experience. We need songs for seasons of lament, praise, distress, and hope.

One hymn of hope worth reclaiming today is Samuel Stennett’s “On Jordan’s Stormy Banks I Stand.”

Let me commend to you the Jars boys’ version for your church. May it help your people set their gaze toward their heavenly city.

On Jordan’s stormy banks I stand
And cast a wishful eye
To Canaan’s fair and happy land
Where my possessions lie

All o’er those wide extended plains
Shines one eternal day
There God, the Son forever reigns
And scatters night away

I am bound, I am bound, I am bound for the Promise Land
I am bound, I am bound, I am bound for the Promise Land

No chilling wind nor poisonous breath
Can reach that healthful shore
Where sickness, sorrow, pain and death
Are felt and feared no more

When shall I see that happy place
And be forever blessed
When shall I see my Father’s face
And in His bosom rest

Click here to find other hymns and arrangements worth your attention.

And So We Roar

VERSE 1
His be the Victor’s Name
Who fought the fight alone;
Triumphant saints no honor claim;
Their conquest was His own.

VERSE 2
By weakness and defeat
He won the glorious crown;
Trod all His foes beneath His feet
By being trodden down.

CHORUS
What though the vile accuser roar

Of sins that I have done;
I know them well, and thousands more;
My God, He knoweth none

VERSE 3
He hell in hell laid low;
Made sin, He sin o’erthrew;
Bowed to the grave, destroyed it so,
And death, by dying, slew.

VERSE 4
Bless, bless the Conqueror slain,
Slain by divine decree!
Who lived, who died, who lives again,
For thee, my soul, for thee.

Bridge
My sin is cast into the sea
Of God’s forgotten memory
No more to haunt accusingly
For Christ has lived and died for me

Words: Samuel Gandy, 1838 (verses & chorus), alt.; Zac Hicks, 2013 (bridge)
Music: Zac Hicks, 2013 ©2013 Unbudding Fig Music (ASCAP)

HT: D&T

18 Tips to Help Your Congregation Sing

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I love 9Marks. Their resources are continually thought provoking and oh so useful, and the latest edition of the 9Marks Journal, “The Church Singing“, is no exception.

The father and son duo of David and Jonathan Leeman offer an article entitled “My Congregation Barely Sings; How Can I Help?” and it is striking in practical wisdom. They write,

If church leaders want congregations that will really “speak to one another in psalms, hymns, and spiritual songs” (Eph. 5:19), they will have to work at it. They will have to try things that might seem strange or unnatural for people who are accustomed to sitting quietly and watching the performance on stage. Here are a few tips, many of which, no doubt, fall into the realm of prudence.

But they don’t actually provide just a few tips, they provide 18 of them! All 18 are sound, but here are two of my favorites:

Choose “congregational” rather than “performance” songs. Here is a general (not absolute) principle: the more a song depends on the musical accompaniment and cannot be sung by a couple of children in the car on the way home, the more performance-oriented and less congregational it probably is. Congregational songs tend to have singable and memorable melodies. Just because a Christian artist has created something wonderful does not mean it is appropriate for the congregation. The melody may not be very melodic. It may be too high, too low, or wide of range. It may be too rhythmic, perhaps syncopated in a way that’s difficult for untrained singers. It may be too complex through bridges, tags, or multiple keys. Such music might sound wonderful with the recorded accompaniment. Maybe the praise band can perform it just fine. But the more a congregation needs the musicians up front to get through a song, the more you can expect them to mouth the words while watching the band do its thing.

Regularly remind the congregation that they are the primary instrument in corporate worship. If they don’t sing with gusto, musical worship won’t happen. That doesn’t mean acting like a cheerleader at a pep-rally: “Okay, let’s really sing…I want to hear you…I know you can sing louder!” Such leadership detracts from the seriousness of the music, and doesn’t treat their singing as a genuine spiritual expression of love, thanksgiving, and praise. Ultimately, congregational singing should be as natural as words of awe before an unusual sunset, or words of mourning with a hurting friend. Still, congregations must be taught that it is their responsibility to sing, and to teach one another through song. They must be taught to gather expecting to sing.

Head on over to the 9Marks site and read all 18 for yourself.

Songs of Sovereign Grace

I love to hear fresh arrangements of psalms, hymns, and spiritual songs. The latest Sovereign Grace album, “30: Three Decades of Songs for the Church“, contains new takes on the fifteen most popular SG songs.

Here are my six favorite cuts from an all-around outstanding effort.

Sing This Day!

While the disciples gathered the day before Christ’s resurrection in shock and sadness, we stand this day before Easter and sing of the power of the cross.

For we know its full meaning, its cosmic purpose, and its eternal glory.

Many songs have been written on the cross of Christ, but one of the more recent hymns of note is “The Power of the Cross,” which comes to us courtesy of the dynamic duo of Getty and Townend. My favorite version to date comes from Matt Hammitt of Sanctus Real fame, check it out above.

Sing this day of Calvary’s power!

The Easter Hymn

Here’s a solid spin on Wesley’s classic Christ the Lord is Risen Today, just in time for Easter.

Jesus Shall Reign

Old Made New

Here’s a great arrangement of Watt’s “Jesus Shall Reign” by The Silver Pages.


LYRICS

Jesus shall reign where’er the sun
Does its successive journeys run
His kingdom spread from shore to shore
Till moons shall wax and wane no more

People and realms of every tongue
Dwell on his love with sweetest song
and infant voices shall proclaim
Their early blessings on his name

Blessings abound where’er he reigns
The prisoners leap and loose their chains
The weary find eternal rest
and all who suffer want are blessed

Let every creature rise and bring
The highest honors to our King
Angels descend with songs again
And earth repeat the loud amen!

Download the song for free on NoiseTrade.

3 Criteria for Selecting Congregational Music

Preaching Pastors as Worship Pastors

Finalizing the content for the coming weekend’s corporate worship service at our church occupies part of my Tuesday morning routine. Yesterday I spent time working on new songs to add to the song library at IDC. It’s always a joyful and weighty task.

I’ve said before that preaching pastors are worship pastors. Preaching pastors – and any installed elders – are charged with overseeing all aspects of the church’s teaching ministry. Songs teach the congregation (Eph. 5:19; Col. 3:16). Therefore, preaching pastors ought to ordinarily oversee the selection of songs for their congregation’s gathered worship. It just so happens in the life of our church that I regularly pick the songs we sing.

One of the most helpful grids for choosing songs I’ve seen comes from Kent Hughes’ contribution to Worship by the Book. He says congregational music must meet three criteria: text, tune, and fit. I choose to think in the categories of theology, melody, and suitability.

THREE CRITERIA FOR SELECTION SONGS

Evaluate the song’s theology. Evaluating the song’s lyrical content must always come first. The song, of course, must be faithful to Scripture and orthodox theology. But it isn’t enough that the song simply use biblical language, it must use such language correctly. We must do the hard work to parse out the intended, and unintended, meanings of the words and phrases employed. Here also I would advocate not settling for mere simplicity in lyrics. A song can be true biblically, but actually communicate very little. Give your people some red meat for their soul in the songs you choose.

Evaluate the song’s melody. This is generally where most songs get chucked, at least for me. In evaluating the song’s melody we must first ensure it fits the meaning of the text. Many faithful lyrics have crashed a sad death on the rocks of a “cool” melody. Secondly, the melody of the song must fit the congregation that will sing it. A good question here is, “Can the average church member sing it?” Which leads to the third criteria.

Evaluate the song’s suitability. Some songs will work in one congregation and not in another. Cultural context ought not to be ignored when selecting the arrows we launch into Satan’s kingdom each weekend. A particular song might be too formal for your congregation, where another might be too informal. Or maybe the dynamics of a song do not fit the median musical style of your church.

I hope it’s clear that I am always picking songs with my individual congregation in mind. They are the chief instrument of praise and I want to help them assault hell’s gates with battle cries of depth and delight. Like every area of pastoral ministry, patience is indispensable when it comes to song selection. I feel that it took us a good 10-11 months after planting Imago Dei before it felt as though everything clicked in our singing.

Good songs are applied theology and will shape the life of your congregation. So choose ’em wisely.